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And the voice of the Predator and so many others. He was the voice of Karr in Knightrider and that was childhood nightmare fuel. A true legend.

Something about this music in that setting is quite captivating

https://www.youtube.com/watch?v=e81LZCHhNKQ

I work with quadriplegic adults and the Tiny Desk Concerts are often left on as background entertainment for the lads. So, you can imagine my joy at seeing this!

Recently discovered this and I like it. It has a certain type of "Irishness" to it that I haven't heard for many a year. I hope they stay active and release more music.

I have to give a shout out to Graveyard Dirt here and their all to brief discography.

You are 100% Correct - Mike Got Spiked supporting Anthrax. Fucking dreadful mismatch. MGS were the equivalent of listening to morning time radio banter, "It's such an honour to support Anthrax" when you know none of them had heard of them until that afternoon when they got the call to do the gig

I wasn't at the Anthrax show but I had the misfortune of playing on the same line up as these bell ends. I remember them being absolute cunts when approached with friendly banter pre gig and then having a few of them come up to after we played and one of them saying "we would have been nice to you if we had known your band was this good!" Up there with the most spasticated statements I've heard from local bands, or any bands for that matter, and that's saying something. And we weren't that good either, the lads just hadn't experienced anything outside of their gigsmart/ Dublin nu metal bubble.

It's a strange one. Some of my friends/ work colleagues are into what I would call "tantrum metal", and they'll send me a link for an absolute dud from Lorna Shore or something and I just don't hear anything of what I would consider heavy. There's no danger, or malice or magic to it. Just the sonic equivalent of Tom and Jerry violence.

This is an example of what I would consider to be proper heavy. But in some circles it's old fashioned and twee.

https://youtu.be/bZwvEEYrM78?si=Rd4uFo5PjZcVuB35

I would have thought Nervosa were were bigger than Xentrix at this point. *Insert joke about not losing the keys for the bus again.

I guess you could say that up until now, he's had a Silent Scream.

I might be in the minority with this but I'm not a fan of Marc Osegueda's vocals and Kerry King's actually sound better here.

And thanks for the kind words lads.

The new song is on Bandcamp now.


https://stereonasty.bandcamp.com/track/summoning

First track to be released from our new album.

I'll have more details on the album soon, but in the meantime, give this a spin.



https://open.spotify.com/album/5GkKMmfi20SrXw1JTkh8OW?si=_HZq4yV4QIGSgj9RmfTRvQ

Death Angel - The Art of Dying
Great comeback and everything since has been consistently as good

Fear Factory - Mechanize
I think from the non-Dino albums, Archetype is criminally underrated, and Transgression has a good album buried in there if they weren't rushed to release it, but Mechanize is definitely a throwback to earlier stuff. Shame it all imploded again soon after

A lot of filler on the COW albums I would argue, but I dare say Mechanize and the three albums that followed are all great. I think if any of them had been released right after Obsolete, Fear Factory would be a much bigger band now.

I suppose Tiamat would be one for me. Wildhoney is up there with the best of the best but after that I lost all interest.
I had an Entombed catch up recently and realised that I didn't miss anything essential.