Quote from: Sworntothecans on November 26, 2025, 12:14:23 PMThat's where the rot set in. Getting critical darlings to do Bond movies. Yeah the second unit/stunt coordinator may handle all the action, but if you don't have a journeyman director who understands action it just falls flat.

Martin Campbell should have been kept on after Casino but they did the usual "you made us money, fuck off".



100%

Casino Royal got the balance perfectly between modern Bond and old school Bond I thought, all the films since then (bar Skyfall perhaps) have been complete an utter shite, how the fuck they got it so badly wrong after a great reboot I don't know, shite villains, shite bond women (Ana de Armas excluded), shite dialog, I don't know if the series will ever recover

It's tradition for the new Bond to get a great first film, so here's hoping they don't fuck that up.

I wonder what tone they'll go with this time around. Stick with the more modern or go more classic. I'd love to see a new film in the 60s/70s style, but I guess it's not really the culture for it right now.

Quote from: Mooncat on November 27, 2025, 04:47:13 PMIt's tradition for the new Bond to get a great first film, so here's hoping they don't fuck that up.

I wonder what tone they'll go with this time around. Stick with the more modern or go more classic. I'd love to see a new film in the 60s/70s style, but I guess it's not really the culture for it right now.
yea, if it wasn't for the Bourne movies I don't think the recent ones would be the way they are. I'd like something a bit dark like the Dalton era maybe. Craic was a great bond, but yea, the movies are hit and miss. Quantum didn't do it for me. I thought the last one was too long, even though I enjoyed it for the most part.

They should hire Matt Barry. The Bond noone wants, but everyone deserves.

Watched an odd one last night, Crazy Joe. A seventies mob B-movie starring Peter Boyle, Rip Torn, Eli Wallach and... Henry Winkler. Set against a background of actual events, it's objectively poor yet still enjoyable in all its camp and shoutiness. One I'd never heard of 'til a mate recommended it.

Quote from: Pentagrimes on November 28, 2025, 06:45:54 PMThey should hire Matt Barry. The Bond noone wants, but everyone deserves.

He'd do a decent theme for sure!

The Bonds have left Prime, so it's onto the Christmas films now. I usually always start the season with Die Hard, but this year I started with Lethal Weapon, and then Die Hard 2 the next night. Both teenage favourites. Both still class now.

The Christmas list will always include Die Hard and Lethal weapon. I also watch Brazil, kiss kiss bang bang, muppets Christmas carol and scrooged is a tradition every Christmas eve for me. There's more, but I chop and change every year

For me the main tradition is starting with Die Hard, and National Lampoon's Christmas Vacation on Christmas Eve. I almost always watch Scrooged as well. The rest changes from year to year.

Trading Places, Die Hard and, on christmas morning, Willy Wonka And The Chocolate Factory. All the christmas movies you need. (I know WWATCF isn't actually a christmas movie but it's so associated with it that it counts, for me anyway.)

Die Hard is the one essential everyone has  :laugh:

Also special shout-out to the cameo in Die Hard 2 from Colm Meaney as one of the pilots. His English accent, while good, sounds so wrong coming out of his mouth!

And speaking of Colm Meaney, just watched The Committments for the first time in a lot of years. Enjoyed every second of it.

"God sent him"

"On a fuckin' Suzuki?"

No one was watching Die Hard as a Christmas movie until someone at Fox marketing had the idea.

It came out in June ffs😂




Yeah it feels like only in the last few years it's become a big thing to watch it as a Christmas film, but cynical marketing or not it does really work well as one!