Dying Victims Productions is proud to announce the following new Pre-orders:


DVP-R 15 Manimals – Blood is the Harvest LP/CD
DYING VICTIMS PRODUCTIONS is proud to reissue MANIMALS' cult-classic Blood Is the Harvest in expanded form on CD and vinyl LP, commemorating the 40th anniversary of its original release.
Formed in Ohio in 1982 by bassist/vocalist Larry the Wolf – the band's founder, mastermind, and sole constant member – MANIMALS emerged at a time when traditional heavy metal and American hardcore punk rarely crossed paths. Drawing from KISS, Alice Cooper, Motörhead, NWOBHM, the Misfits, and American hardcore – and wrapping it all in horror imagery and an outrageous theatrical stage presence – the band created its own peculiar strain of what Larry would come to call "Monster Metal."
In many ways, one could also argue that MANIMALS were among the very first bands to carry the horror-punk torch forward following the Misfits' original incarnation, bridging the gap between that band and the wave of horror-punk acts that would emerge in later years. But there was a lot more bubbling in the cauldron of Blood Is the Harvest. MANIMALS approached the horror aesthetic from a decidedly heavier direction, with traditional heavy metal always at the heart of the band's sound.
By 1984, Larry was joined by guitarist The Wraith and drummer Dark, forming the lineup that would record Blood Is the Harvest the following year. The six songs were written during 1983 and 1984 and recorded in 1985.
"I shopped the demo to several labels – Elektra, Combat, Metal Blade, among others," recalls Larry. "We received some polite passes, and I remember one or two basically saying they didn't know how to market us because the music didn't fit cleanly into any one genre. So I went back to my hardcore roots and took the DIY approach – if nobody knew what to do with it, then we'd put it out ourselves."
Larry created the House of Pain imprint for the release, and Blood Is the Harvest was self-released in early 1986 in an edition of 1,800 12" vinyl copies. It sounded – and looked – quite unlike anything else at the time.
MANIMALS juiced up that raw metal/punk energy and prolonged it across songs running three, four, and even six minutes, riding a righteous gallop that was indeed more indebted to traditional metal than hardcore punk.
"Years ago, someone told me that we sounded like a combination of early KISS, the Misfits, and early Alice Cooper, with Motörhead sprinkled in – I thought that was a pretty good description," says Larry. "While I admire all of those bands, I like to think that we had our own unique niche. The Misfits could never have done a six-minute epic like 'Blood Is the Harvest,' and KISS would never have done anything as fast as 'Monster Nation.'"
That early collision of metal and punk has since earned MANIMALS recognition in Alexandros Anesiadis' books Crossover the Edge: Where Hardcore, Punk and Metal Collide and Tear It Down: How Crossover Bridged Metal and Hardcore Punk, with the latter placing Blood Is the Harvest at #12 on its list of essential crossover records.
Four decades later, MANIMALS' original strain of "Monster Metal" rises again.
Expanded with two rough 'n' ready archival rehearsal recordings from 1984 – early versions of "Faster Cat" and "White Zombie" – this 40th-anniversary edition brings Blood Is the Harvest to album length and finally unleashes it once more on vinyl and CD.
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on purple vinyl, with insert, poster, sticker, post card, download code and patch.
– CD edition with sticker and obi.
Out 18th December

DVP 420 Pagan Altar – Room of Shadows LP + 10″/CD
DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated reissue of PAGAN ALTAR's The Room of Shadows album on CD and vinyl LP (12" + 10") formats. Side 4 contains a beautiful etching. This reissue marks the 10th anniversary of this awesome album.
Mixing 70's proto-doom elements with mystical English folk, hard rock and heavy metal, this final album with Terry Jones on vocals will bring you into a macabre universe of olde. Based on the beautiful editions on now defunct Temple of Mystery Records, Dying Victims continues making Pagan Altar's back catalogue available again.
– Regular edition on black 12″ + 10″ vinyl, with 4 page insert, poster, sticker, post card, download code and etching on side D.
– Special edition on ultra clear/brown/golden splatter 12″ + 10″ vinyl, with 4 page inser, poster, sticker, post card, download code, etching on side D and patch.
– CD edition with sticker and obi.
Out 18th December

DVP 421 Flight – Flight LP
DYING VICTIMS PRODUCTIONS is proud to reissue the debut album of Norway's FLIGHT, Flight, on vinyl LP format.
To call Norway's FLIGHT "retro" or "vintage" is to miss the point. Since their formation in 2012, the quartet have walked the fine line between effortless and studious – a throwback to '70s proto-metal, sure, but done with such vigor and authenticity that even the most skeptical listener would be helpless to resist being whisked away some four decades into the past. Simply, their music exists in that same vacuum when ROCK conquered all: be it "hard rock," FM rock, the dawn of "heavy metal," or especially anything retroactively "proto-metal," FLIGHT bring the past into the present and write understated-yet-invigorating rockers that draw from a very rich (and very idiosyncratic) history.
The first evidence of such was FLIGHT's self-titled debut album, released in 2015 via Bad Omen Records. Starting the album with a similarly titular track served as a statement of sorts: "Flight" is where everything begins, where it goes, and the path ahead. Indeed, Flight was a journey back to said '70s, warm and rustic and heartfelt and handmade. Hot-rockin' is the order of the day here, suffused with just the right amount of jangle, and dynamics taking center stage; there's no "volume wars," because when FLIGHT get going, they GO, and when they reel it back, it's indeed REAL. Naturally, shades of heavy rock's heroes dot the landscape – be it quartet-era Thin Lizzy, In Trance-era Scorpions, the first couple Rainbow records, any UFO ones, or earliest Riot – but the Norwegians' charisma and craftsmanship trump any perceived obviousness. That Flight adds to this noble lineage, with all sincerity and authenticity, speaks loudest.
Following their release of 2023's critically acclaimed Echoes of Journeys Past, DYING VICTIMS now makes FLIGHT's debut album available on vinyl for the first time in over a decade. Spread the wings of your imagination and take Flight!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on blue vinyl, with insert, poster, sticker, post card, download code and patch.
Out 18th November

DVP 422 Kontakt – First Contact MLP/MCD
DYING VICTIMS PRODUCTIONS is proud to reissue KONTACT's debut mini-album, First Contact, on CD and 12" vinyl formats.
In 2024, DYING VICTIMS released KONTACT's critically acclaimed debut album, Full Contact, largely introducing these crazy Canadians to the international metal landscape. Amazingly askew yet strangely approachable, Full Contact inhabited a neon-hazed utopia / dystopia where sleaze metal fuses DNA with tech-thrash. But the roots of this dayglo landscape stretched back to early 2024, with the release of First Contact via the late / great Temple of Mystery Records.
Comparatively less "weird" but by no means any less idiosyncratic, KONTACT's first public appearance encompassed a compact five songs in 24 minutes. The primary influences at this stage were commercial-peak Judas Priest (think Defenders of the Faith and Turbo – YES, Turbo!) fused with the frayed circuitry of homeland heroes Voivod, particularly that band's transition from Dimension Hatröss to Nothingface. Likewise, where the realms of sci-fi were still within reach, there's a certain rough-hewn atmosphere to First Contact that harkens to the dungeons of '80s true metal ala Manilla Road and Cirith Ungol – and the closing cover of Sacred Blade's "Fieldz the Sunshine" surely cemented their spiritual sphere. Heady stuff any way you cut it, but above all, KONTACT had the SONGS to back up this slow-burn addictiveness: Where so many young bands' reach is beyond their grasp, this power-trio knew exactly where they wanted to go, this early on. As such, First Contact stands as a unique snapshot of an ongoing odyssey that's totally and truly KONTACT!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on purple vinyl, with insert, poster, sticker, post card, download code and patch.
– CD edition with sticker and obi.
Out 18th December


DVP-R 15 Manimals – Blood is the Harvest LP/CD
DYING VICTIMS PRODUCTIONS is proud to reissue MANIMALS' cult-classic Blood Is the Harvest in expanded form on CD and vinyl LP, commemorating the 40th anniversary of its original release.
Formed in Ohio in 1982 by bassist/vocalist Larry the Wolf – the band's founder, mastermind, and sole constant member – MANIMALS emerged at a time when traditional heavy metal and American hardcore punk rarely crossed paths. Drawing from KISS, Alice Cooper, Motörhead, NWOBHM, the Misfits, and American hardcore – and wrapping it all in horror imagery and an outrageous theatrical stage presence – the band created its own peculiar strain of what Larry would come to call "Monster Metal."
In many ways, one could also argue that MANIMALS were among the very first bands to carry the horror-punk torch forward following the Misfits' original incarnation, bridging the gap between that band and the wave of horror-punk acts that would emerge in later years. But there was a lot more bubbling in the cauldron of Blood Is the Harvest. MANIMALS approached the horror aesthetic from a decidedly heavier direction, with traditional heavy metal always at the heart of the band's sound.
By 1984, Larry was joined by guitarist The Wraith and drummer Dark, forming the lineup that would record Blood Is the Harvest the following year. The six songs were written during 1983 and 1984 and recorded in 1985.
"I shopped the demo to several labels – Elektra, Combat, Metal Blade, among others," recalls Larry. "We received some polite passes, and I remember one or two basically saying they didn't know how to market us because the music didn't fit cleanly into any one genre. So I went back to my hardcore roots and took the DIY approach – if nobody knew what to do with it, then we'd put it out ourselves."
Larry created the House of Pain imprint for the release, and Blood Is the Harvest was self-released in early 1986 in an edition of 1,800 12" vinyl copies. It sounded – and looked – quite unlike anything else at the time.
MANIMALS juiced up that raw metal/punk energy and prolonged it across songs running three, four, and even six minutes, riding a righteous gallop that was indeed more indebted to traditional metal than hardcore punk.
"Years ago, someone told me that we sounded like a combination of early KISS, the Misfits, and early Alice Cooper, with Motörhead sprinkled in – I thought that was a pretty good description," says Larry. "While I admire all of those bands, I like to think that we had our own unique niche. The Misfits could never have done a six-minute epic like 'Blood Is the Harvest,' and KISS would never have done anything as fast as 'Monster Nation.'"
That early collision of metal and punk has since earned MANIMALS recognition in Alexandros Anesiadis' books Crossover the Edge: Where Hardcore, Punk and Metal Collide and Tear It Down: How Crossover Bridged Metal and Hardcore Punk, with the latter placing Blood Is the Harvest at #12 on its list of essential crossover records.
Four decades later, MANIMALS' original strain of "Monster Metal" rises again.
Expanded with two rough 'n' ready archival rehearsal recordings from 1984 – early versions of "Faster Cat" and "White Zombie" – this 40th-anniversary edition brings Blood Is the Harvest to album length and finally unleashes it once more on vinyl and CD.
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on purple vinyl, with insert, poster, sticker, post card, download code and patch.
– CD edition with sticker and obi.
Out 18th December

DVP 420 Pagan Altar – Room of Shadows LP + 10″/CD
DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated reissue of PAGAN ALTAR's The Room of Shadows album on CD and vinyl LP (12" + 10") formats. Side 4 contains a beautiful etching. This reissue marks the 10th anniversary of this awesome album.
Mixing 70's proto-doom elements with mystical English folk, hard rock and heavy metal, this final album with Terry Jones on vocals will bring you into a macabre universe of olde. Based on the beautiful editions on now defunct Temple of Mystery Records, Dying Victims continues making Pagan Altar's back catalogue available again.
– Regular edition on black 12″ + 10″ vinyl, with 4 page insert, poster, sticker, post card, download code and etching on side D.
– Special edition on ultra clear/brown/golden splatter 12″ + 10″ vinyl, with 4 page inser, poster, sticker, post card, download code, etching on side D and patch.
– CD edition with sticker and obi.
Out 18th December

DVP 421 Flight – Flight LP
DYING VICTIMS PRODUCTIONS is proud to reissue the debut album of Norway's FLIGHT, Flight, on vinyl LP format.
To call Norway's FLIGHT "retro" or "vintage" is to miss the point. Since their formation in 2012, the quartet have walked the fine line between effortless and studious – a throwback to '70s proto-metal, sure, but done with such vigor and authenticity that even the most skeptical listener would be helpless to resist being whisked away some four decades into the past. Simply, their music exists in that same vacuum when ROCK conquered all: be it "hard rock," FM rock, the dawn of "heavy metal," or especially anything retroactively "proto-metal," FLIGHT bring the past into the present and write understated-yet-invigorating rockers that draw from a very rich (and very idiosyncratic) history.
The first evidence of such was FLIGHT's self-titled debut album, released in 2015 via Bad Omen Records. Starting the album with a similarly titular track served as a statement of sorts: "Flight" is where everything begins, where it goes, and the path ahead. Indeed, Flight was a journey back to said '70s, warm and rustic and heartfelt and handmade. Hot-rockin' is the order of the day here, suffused with just the right amount of jangle, and dynamics taking center stage; there's no "volume wars," because when FLIGHT get going, they GO, and when they reel it back, it's indeed REAL. Naturally, shades of heavy rock's heroes dot the landscape – be it quartet-era Thin Lizzy, In Trance-era Scorpions, the first couple Rainbow records, any UFO ones, or earliest Riot – but the Norwegians' charisma and craftsmanship trump any perceived obviousness. That Flight adds to this noble lineage, with all sincerity and authenticity, speaks loudest.
Following their release of 2023's critically acclaimed Echoes of Journeys Past, DYING VICTIMS now makes FLIGHT's debut album available on vinyl for the first time in over a decade. Spread the wings of your imagination and take Flight!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on blue vinyl, with insert, poster, sticker, post card, download code and patch.
Out 18th November

DVP 422 Kontakt – First Contact MLP/MCD
DYING VICTIMS PRODUCTIONS is proud to reissue KONTACT's debut mini-album, First Contact, on CD and 12" vinyl formats.
In 2024, DYING VICTIMS released KONTACT's critically acclaimed debut album, Full Contact, largely introducing these crazy Canadians to the international metal landscape. Amazingly askew yet strangely approachable, Full Contact inhabited a neon-hazed utopia / dystopia where sleaze metal fuses DNA with tech-thrash. But the roots of this dayglo landscape stretched back to early 2024, with the release of First Contact via the late / great Temple of Mystery Records.
Comparatively less "weird" but by no means any less idiosyncratic, KONTACT's first public appearance encompassed a compact five songs in 24 minutes. The primary influences at this stage were commercial-peak Judas Priest (think Defenders of the Faith and Turbo – YES, Turbo!) fused with the frayed circuitry of homeland heroes Voivod, particularly that band's transition from Dimension Hatröss to Nothingface. Likewise, where the realms of sci-fi were still within reach, there's a certain rough-hewn atmosphere to First Contact that harkens to the dungeons of '80s true metal ala Manilla Road and Cirith Ungol – and the closing cover of Sacred Blade's "Fieldz the Sunshine" surely cemented their spiritual sphere. Heady stuff any way you cut it, but above all, KONTACT had the SONGS to back up this slow-burn addictiveness: Where so many young bands' reach is beyond their grasp, this power-trio knew exactly where they wanted to go, this early on. As such, First Contact stands as a unique snapshot of an ongoing odyssey that's totally and truly KONTACT!
– Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
– Special edition on purple vinyl, with insert, poster, sticker, post card, download code and patch.
– CD edition with sticker and obi.
Out 18th December








































































































































